April the 5th and it was time for another Jackson Browne Concert. This time at the Sage, Gateshead, which is proving to be a marvelous venue for musicians of Jackson's calibre, being big enough to make it work with a band but still retaining an intimate atmosphere with wonderful acoustics. The fact that Barbara, Ros, Joan and I went on the wrong night (I got the date wrong and we took our seats on Sunday when we had tickets for Monday..good job we didn't do it the other way around!!) only made the anticipation greater as I, for one, was looking forward to a fantastic concert by one of my best loved performers. So it was case of "deja vu" same time next day!
I have been listening and following Jackson's career since the release of his auspicious debut album in 1972 where the songs contained sang of the struggle with existence, the puzzles and riddles of romance, and the potential of the human spirit in a way I'd never heard before. In fact is was with listening to JB more than anyone that steered me away from the prog rock school that seemed so contrived, overblown,inconsequential and shallow in comparison with the emerging singer songwriters of the early 70s. These included the likes of Joni Mitchell,James Taylor and Randy Newman. Suddenly artists were speaking with a much more mature point of view and had taken their cue from Dylan. From the outset Jackson Browne took great pains to mold the lyrics with the music in such a way as to bring out the true confessional nature of the material.He seemed much wiser than his years writing such early gems as "These Days" which include the line.."Don't confront me with my failures, I had not forgotten them" He was still in his teens when he wrote that.
His first few albums continued in a similar vein, writing songs of retrospection and in 1974 he released what many still view as his master work. "Late For The Sky". This also remains my favorite. It was a very ambitious and densely allegorical piece of work containing big themed songs. As with all good work it stands up today along side anything anyone else has to offer. In fact I'd say it's still far above the level most attain. For those of you who want to bother...check out "Fountain OF Sorrow" as an example of his mastery with a lyric and how he can just put his finger on the thing you've been trying to say for years..
Also on this album was the mercurial playing of David Lindley, who was to become Jackson's mainstay as accompanying guitarist over the years. David's contribution to the songs adds wonderful texture and interplay resulting in a much richer experience and does so much to compliment the words and melody of Jackson's vocals. It's no wonder that Jackson has done so many tours just having David along to help out.
As his career started to take shape he veered away from the folky acoustic template and took a more Rock n Roll stance and became some what more extroverted. Surrounding himself with some of LA's finest musicians he released classic albums like "The Pretender" and still the strength was in his lyrics and astute melodic lines.. Later years saw him become more social and politically aware and pro-active with the likes of "MUSE" with the result that some of his material focused on the political rather than the personal. Yet albums like "I'm Alive" and " The Naked Ride Home" proved he has not lost touch with the soulful side of his songwriting as songs like "Sky Blue and Black" and "Too many Angels" bear testament. The musical palette he uses to embellish his songs has grown over the years too, ranging from the R+B mixture of Hammond Organ and funky rhythm section to world music, Reggae and out and out Rock.
I guess I've grown up with Jackson and as his experiences in life often (by the very fact that we are a similar age) reflect mine then his songs can also still speak to me. These days it would be harder for me to identify with some 20 year old singing about his/her lost love no matter how sincere it was. I doubt I could find much empathy.
I wasn't at all disappointed with Jackson's concert at the Sage... He did seem like he was on an other planet at times and struggled to find his way through the middle eight of one song, forgetting the words. However he has a nonchalant way of dealing with such occurrences and it passed by without any embarrassment felt. Someone told me he was suffering from a virus and was taking medication which was affecting his vitality. It's true, he did appear more laid back that usual, which is saying something..but, nevertheless,he delivered a wonderful mixture of songs spanning his entire career and I left knowing I had just witnessed and listened to a great artist and one of the best songwriters of the 20th century. He has that ability to tie the various strands of his repertoire, from the mystical language of the heart to matters of social and political concern, into a coherent whole. I just wished I could get to play in his band!!
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